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I was convinced from an early age growing up in Cuernavaca, Mexico that

communities can be sustained through art making. Like the craftspeople

who integrate life into the creation of ceramics and textiles—nothing

less than a certain form of magic—I embrace the imperfections of the

hand-made, the organic forms and vibrant colors which have the

power to remove the individual identity of the artist in favor of a more

universal expression of “folk art.”

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